Crime and Punishment: Avoiding Punishment is Futile Essay -- Crime and

Avoiding punishment is futile. Whether in the form of proper trials or through guilt, every person will come face to face with the consequences of their actions. Avoiding suffering only causes it to intensify. This is mainly demonstrated through Svidrigailov and Raskolnikov in the end of Crime and punishment. both(prenominal) men had been eluding their various torments and they realize the vanity of their avoidance after receiving crushing mental blows. Raskolnikov and Svidrigailov realize that the time has come to recognize suffering and function for previous actions. Raskolnikovs inability to hide his guilt shines through in his actions. When trying to defend his innocence against Porfiry he utters childish defenses. His suffering has consumed him and he ran discover of breath, nearly choking (541) as the conversation traversed into uncomfortable matters. The connotation here of choking reveals how deeply Raskolnikovs inner pain has bore into him and the effect of it measure down his lungs. Furthermore, his refusal of this opportunity given by Porfiry to take his punishment clearly demonstrates how Raskolnikovs every action is now affected directly by his airflow. logically he should realize his game is up, yet his pride and brains suffocation are so high he cannot comprehend sensibly. He sputters verboten his sentences, pausing, and gasping. On a deeper level his brain function is also affected by the oxygen flow. This is clearly conveyed by his callous behavior and lack of ruling to his future endeavors. His desire to avoid discipline is dimming as he realizes his time to receive punishment is approaching. Preceding his nerve-rattling survive conversation with Porfiry, Raskolnikov seems to be lost and disoriented. Ter... ...s well. barely this journey does not involve physical death. It involves going to the police bureau he once feared and confessing his crime. Although he lacks breath and feels faint he is at last able to recount the details in entirety and his self-inflicted suffering ends to be followed by formal punishment, or a clearly defined air. approach to terms with past mistakes and accepting their consequences is an agonizing process. Admitting fault for former missteps can seem titanic. Prideful characters such as Svidrigailov or Raskolnikov find this burdensome. However, in the end, choosing to get on on the journey of acceptance becomes necessary if one chooses to commit wickedness, an act that man must succumb to at some point. In Crime and Punishment this journey also allows the characters suffocating mask to fall allowing them to breathe once more.